While reading an article about Charles R. Knight in G-Fan #82 in late
December 2007, I decided to create a kaiju (giant "suitimation" monster like
Godzilla) based on the Dryptosaur, or Laelaps (pronounced LEE-laps) as
it was initially named (after a mythical hunting dog). Since a lot of kaiju
names end in "-is" I decided on Laelapis as a name, and the "lapis" part
suggested an Egyptian scarab motif. So I sketched up the head to the right
and I was off. You can see how I essentially slapped a scarab onto a dinosaur head. The brown hide was more placeholder than anything else, but I did end up settling on a brownish hide color after all. |
Laelapis Head Design (Click for full size) |
Body design 1 (Click for full size) |
The next step was to create the "simplest" body I could, essentially just a
Dryptosaur body with some spikes and plates, to see what my baseline would
be. I could then try weirder designs and, if I felt they were too oddball,
just merge them with this boring body in a mix and match that would find a
happy medium. I also used it to try out a different hide color. I should
note that for these design sketches, I used regular pencils and then colored
pencils, with no inking phase. I did use some white paint marker to
highlight bits, though. I made no effort at this stage to make sure an actor could fit inside the suit, but it was at the back of my mind. I wanted a proper "suitimation" kaiju, not something that could only exist in CG or stop-motion. |
Inspiration hit pretty quickly, and after a very small thumbnail sketch (not
scanned), I settled on a design with an extra pair of arms and a beetle
carapace to further "fuzor" the beast. Once I'd made that decision, though,
I needed to refine it and make sure that it would work as suitimation. After
all, I wasn't just making an arbitrary monster, I was making a daikaiju, and
I wanted to be able to observe the proper forms. As you can see in the picture to the right, it's a fairly tight fit. This would have to be a Millennium Age kaiju, and rather than a bulky removable suit like Godzilla used originally, it would need to be built more like the critters in Pan's Labyrinth, with lots of latex appliances glued directly to the actor, plus a few "hard" reusable bits like the head, spare arms and tail (all of which could be remotely operated animatronics). Extra padding was put on the thighs to give more of a dinosaur-like hip arrangement. |
Actor in the suit. (Click for full size) |
Final design sketch (Click for full size) |
Once I had the proportions worked out, I needed to finalize the details as shown in the head-on drawing to the left. Still fiddling with the colors, but knowing I wanted something in the golden-tan range for the hide. I took the spike off the tail from version 1 and eliminated the spikes on the lower shoulders from the man-in-suit pic (I realized he'd stab himself in the armpit!). All I really changed/added for the final picture were the heel claws and collarbone jewel, neither of which would be visible in this drawing anyway. |
I had some grand plans for the final drawing, but realized they were way out
of my skillset, so I settled on something a little more subdued, although
still pretty impressive by my standards, and that's the pic up top.
|
Being an inveterate fanficker (mainly with Transformers, but the
principle still applies), I decided to shoehorn Laelapis into the corners of
canonical Kaijudom rather than make up an all-new setting for him. The
conceit is that Laelapis is the Kaiju who never got to actually make it to
the screen, but kept being kicked around studios because creators liked the
idea, even if it seemed cursed. For those not familiar with Kaiju "Eiga"
("Ages" in Japanese-English mangulation), the Showa Age is the original
golden age of Kaiju, 1954 until about 1974 (original Godzilla through Terror
of Mechagodzilla). The Heisei Age is shorter, about a decade from 1984
through the mid-90s (Godzilla 1984/85 to Godzilla vs. Destroyah). The
Millennium Age is late 1990s through the present (I've also seen it called
Shinsei). SHOWA AGE
Following the destruction of the Godzilla Tower (Godzilla vs. Gigan), one of
the Nebula M Space Hunters fled to the Aleutian Islands, evading capture.
There he stumbled across the Lifestone (Marvel Godzilla comic) and was
mutated into a terrifying hybrid of dinosaur and his original insectoid
species.
First Appearance: Unused inventory story for Marvel's Godzilla comic HEISEI AGE
In the wake of the destruction of Biollante (Godzilla vs. Biollante), the
mysterious Three Circles Group acquired samples of the G-cells from
Dr. Shiragami's lab, and attempted to create their own kaiju for purposes as
yet unrevealed. The result was the giant scarab Kheper, an 8 meter long
monstrosity that was unleashed on Tokyo by the TCG. First Appearance: Rejected script for "Godzilla vs. Laelapis" (would have been made for 1991 release) (In 2006 the character rights are sold to Kadokawa, the studio that made Gamera the Brave.)
After the destruction of Zedus, the mysterious Three Circles Group sought to
unlock the secrets of the infamous red pearls of Iseshima, the source of the
new Gamera's strength. However, almost all known samples of the red pearls
had been used up in order to revive "Toto", and the TCG was only able to
obtain a single, flawed red pearl. Now Japan's only hope seemed to rest in the claws of Gamera. But would Laelapis simply feed on Gamera's energy as he had the power of the red pearl? First Appearance: Gamera the Brave II (cancelled project, 2008 planned release)
Vital Statistics
Name: Laelaps
Name: Kheper I
Name: Kheper II
Name: Laelapis I
Name: Laelapis II
Name: Laelapis III Laelapis, Laelaps (kaiju), Kheper (kaiju) and the Three Circles Group created by Dave Van Domelen, 2008. Godzilla, Biollante, the Nebula M Hunters, G-Cells and associated concepts belong to Toho Studios. Gamera, Zedus and associated concepts belong to Kadokawa Studios. Purely a fan creation, not for sale. |